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film industry on society and implement social criteria, as well as formulate proposals of
a scientific and practical nature to improve the state and public management of the film
industry in Kazakhstan.
The degree of knowledge of the problem. Valuable information about the
theories of cinema is contained in the works of such scientists as S. Freilich,
T. Elzesser, M. Hagener, F. Seed. Questions about the role of cinema in society, its
philosophical significance and the relevance of its ideological, socio-economic and
political activities were discussed and reflected in the works of a number of foreign
scientists, such as J. Deleuze, V. Tosi, Marijke de Valck, M. McLuhan, E. Altenlo,
G. Bloomer. Hill, Kawashima, S. Komissarov, A. Lange, T. Westcott, C. Parvulescu,
F. Pitassio, P. Bilik, J. Poort, G. Til, M. Zhabsky, A. Golutva, A. Aranburu, L. Al-Nsur,
A. Makarov, N. Karimova, A. Evmenov, P. Danilov, T. Rtishcheva, N. Golovetsky,
K. Smirnov, A. Malyshev.
Kazakh scientists and filmmakers study topical issues of the domestic film
industry, actively discuss problems and new trends in the development of cinema.
Among such scientists we can mention G. Abikeeva, E. Tursynov, O. Boretsky,
N. Mukusheva, G. Mursalimova, R. Nugmanov, B. Nogerbek, M. Ergebekov,
Sh. Urazbaeva, A. Tuyakbaeva, A. Kamza.
Domestic scientists conduct research in the theory and practice of the
development of Kazakh cinema, as traditions in Kazakh cinema, folklore, images,
national spirit in cinema. At the same time, the role of state policy in the film industry,
the socio-economic aspects of the film industry, state policy in the film industry, the
priorities for the development of domestic cinema, in general, have not been studied
enough in domestic science. These problems are not reflected in a separate scientific
work.
The public importance of knowledge about the film process through the prism of
public administration is also due to the fact that the creation of high-quality film
production is impossible without comprehending the existing experience in solving
problems that arose earlier, without relying on sociological knowledge about cinema. In
this regard, the study and analysis of the issues of the fundamentals of industry
management, state support for the film industry, the use of social audit as a tool for
public control in the film industry is very relevant.
The purpose of the dissertation research is to analysis of the state management
of the development of the film industry in the Republic of Kazakhstan and the
development of theoretical and practical recommendations on the use of social audit in
assessing the development of the film industry as a cultural sphere.
To achieve this goal, the following research questions first arise:
1. What place does the film industry occupy in the social structure of the country?
2. What is the role of the state in the development of the film industry as an
important area of culture?
3. What are the prospects for the institution of social audit in the Kazakh film
industry, what are the opportunities for civil society to participate in the management of
the film industry?
To achieve the goal of the study by obtaining answers to the above questions, the
following tasks were set: